schauspiel hannover

Sometimes I sing. This can apply to everyone who wants to make art.

Lars: Like it happens often in the lives of young people, my path to the theatre was more of a coincidence.

I wake up my body.

Our experience at Schauspiel Hannover: Der schwarze Obelisk is centered around the year of inflation in Germany in 1923.

Thanks to the support from Schauspiel Hannover, Theatre Trip was also able to go on an exclusive behind-the-scenes tour of the theatre! Das Schauspiel Hannover gibt sein November-Programm am 02.10.2020 in den Vorverkauf.

I lived in East Berlin in the 80s and was waiting for my departure.

Robert: It always seems to be the next design. Antonia: I first discovered my passion when getting involved with a school play. * A special thanks to Schauspiel Hannover for inviting us to the show and backstage tour!

The director from that play told me that I should really think about following my passion because he could see something in me. The Schauspiel Hannover (Hanover Drama) is part of the theatre organisation of the German state of Lower Saxony in its capital, Hanover, the Niedersächsische Staatstheater Hannover [] (Lower Saxony State Theatres).

The piece was directed and adapted for the stage by Lars-Ole Walburg, who we also got the chance to have a chat with (see below). Book online, pay at the hotel.

Theatre Trip: In your opinion, do you think that formal education is necessary in order to become a professional actor/actress? Lars-Ole Walburg studied theatre and German at the Freie Universität Berlin, and has since worked on many projects as both a director and a dramaturg. Antonia: Yes. Antonia Eleonore Hölzel is a Munich-born actress who studied acting at Zurich University of the Arts.

This piece was directed by Lars-Ole Walburg (see interview below), and the stage design is by Robert Schweer (see interview below).

The Schauspiel Hannover (Hanover Drama) is part of the theatre organisation of the German state of Lower Saxony in its capital, Hanover, the Niedersächsische Staatstheater Hannover [de] (Lower Saxony State Theatres).

But what I particularly appreciate is the feeling of being overtaxed – when I feel that a production is bigger than the sum of its parts. I breathe and I do some warm ups. That impressed me very much and I therefore studied theatre science when I finally arrived in West Berlin.

Theatre Trip: When did you first discover your passion for acting?

It was designed by the Swiss architecten Claude Paillard and seats 630 people. The complex also houses a Theatermuseum (Theatre museum) that presents temporary exhibitions and documentation of the history of the theatre.

Also, they have three employees who are devoted to nothing but the creation of hats and headwear! You can learn a lot about yourself, your body, space, people, and theatre in general. It’s terribly difficult to find a way to deal with it and I don’t always succeed. Alles weitere kennen Sie aus dem Kino (The Rest Will Be Familiar To You from Cinema), by Martin Crimp and Zement, by Heiner Müller. It’s a text volume by Nis-Momme Stockmann that puts the utmost strain on the theatre and from which a really important 5-hour production emerged. I need to be alone a little bit. So from there, I studied theatre and stage technic as engineer in Berlin, played guitar in a punk band, and learned to love theatre through “Volksbühne Berlin” in the early 90´s. But first you have to develop an idea out of a text and understand what’s important for you to tell.

Lars: Actually theatre accidents. Two smaller stages are located in adjacent historic buildings, the Cumberlandsche Galerie, a listed monument with a large staircase, used for events for up to 85 spectators, and the Cumberlandsche Bühne, a former rehearsal stage, for up to 198 seats. We checked out the dressing rooms, stages, set storage areas, and hair and makeup rooms. Sometimes it was the happiness of a special working relation or the idea for a scenic solution.

Theatre Trip: Is there a play or book that you think all theatre students and professionals should read? One thing particularly unique about the Schauspielhaus is that their costume and prop department is so extensive that they house all of the physical items in a warehouse outside of the city.

And I go through the text once, sometimes even on the same day of the performance. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on LinkedIn (Opens in new window).

Alle Vorstellungstermine finden Sie im Kalendarium. To be fair, these creators also have to make hats for the opera house, which can be quite a few heads to cover throughout the course of a year.

Theatre Trip: What initially inspired you to become a stage designer?

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