fassbinder beste filme

fassbinder beste filme

Lola, logically the last of these though it was made second, stars Barbara Sukowa as a sex worker who attracts the attention of a moral entrepreneur who seeks to rid his town of corruption, unaware (at first) that he has fallen in love with a prostitute. Subscribe now for exclusive offers and the best of cinema. In Fassbinder’s BRD trilogy, The Marriage of Maria Braun (1979), Veronika Voss (1982), and Lola, the postwar history of West Germany – particularly the Wirtschaftswunder (the sudden economic growth that the country experienced) – is represented through the experiences of three women. Fassbinder surrounded himself with a group of creative enablers, many of whom would bow to his every whim. Fassbinder’s favourite target is the moral bankruptcy that he saw as prevalent in West Germany’s postwar years. It stars Anna Karina alongside many of his favourite actors, including a sinister turn from Brigitte Mira, a world away from the warm heroine of Fear Eats the Soul. Veronika Voss, his penultimate film, appears to foretell his own demise as it follows a sports journalist who begins to snoop into the life of a mysterious cabaret singer (Rosel Zech) who once performed for the Nazis and even, allegedly, got physical with Goebbels. As writer and director, Fassbinder never strains for meaning, simply allowing the disarmingly simple material do all the heavy lifting. It’s not that the pickings are slim – on the contrary. RW Fassbinder plays at BFI Southbank through April and May. Fassbinder’s epic 1920s-set TV series, running for 15 hours across 13 episodes and an epilogue, is an adaptation of Alfred Döblin’s novel, following the post-prison life of Franz Biberkopf, a gangster jailed for murdering his girlfriend. Is it ever truly possible for a man to transcend his god-given status in the world? Despair est le premier film de Fassbinder tourné en anglais et est aussi le premier dont il n'est pas le scénariste. Maybe the relationships he had with some of his closest collaborators wasn’t always healthy, but the results are up there on the screen, as see in his 38 features, three TV serials and numerous shots.

It’s one of Fassbinder’s very best movies, and remains a fierce, relevant dissection of intolerance and xenophobia. Enjoy…. He falls under the spell of suave Eugen (Peter Chatel) but is unable to see that he’s being taken for one long ride. The plot, rife with doppelgangers and infused with noir elements, anticipates the later work of David Lynch. Despair is one of Fassbinder’s most curious films. The arrival of Jorgos, a guest … Fassbinder's second film, Katzelmacher (1969), (Bavarian pejorative slang term for a foreign worker from the Mediterranean), was received more positively, garnering five prizes after its debut at Mannheim. This is representative of Fassbinder’s astounding “BDR trilogy”, made right at the tail end of his career (including 1979’s The Marriage of Maria Braun and 1981’s Lola).
The chintzy sets and lurid colour schemes of the film suggest the artifice covering the rot that lingers beneath – corruption and moral prostitution is everywhere, and everyone can be bought. Dieser Pinnwand folgen 235 Nutzer auf Pinterest. The irony of the English language title of this film sticks in the throat. Explore the history of film in list form. Mai 1945 in Bad Wörishofen, Bayern; † 10. This rare foray into comic soap opera was the first thing he made for a mass audience and it follows a machinist dealing with workplace politics and his grandmother who embraces independence later in life. It’s long, claustrophobic and intense – one of those movies where paying close attention for the first hour pays off in the devastating closing stretches. He often returned to the subject of the outsider shunned by society, and his own feelings of rejection and alienation infuse much of his work. When the parents discover one another’s transgressions, their reaction – embarrassment, forced laughter and phony politeness in pretending nothing is amiss – recalls Luis Buñuel. There is a thing about this film that really bugs me, but it doesn't really have anything to do with the filmmaking.

The film’s reception at the Berlin Film Festival was hostile, but Fassbinder greeted the boos with a triumphant gesture of celebration. Admirers of Douglas Sirk, the great melodrama director who had a huge influence on Fassbinder, will recognise the similar storyline to All That Heaven Allows (1955), starring Jane Wyman and Rock Hudson as the persecuted lovers. From any other director, Fox and His Friends might seem downright homophobic, but coming from Fassbinder – a man who had many male lovers and who often depicted the dark side of humanity in his films – it fits in with his most savage films.

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